50 min
Student Lesson
Lesson 30: Red, White, and Whole, Part 12: “No One” to “Watching”
Content
Students will analyze how Rajani LaRocca’s word choice and repeated references to blood develop meaning as a symbol across a cluster of poems.
Language
Students will explain how repeated words, symbolic language, and text placement shape meaning using comparison language and cause-effect connectors.
Foundational Skills
Students will read repeated lines fluently and attend to stress and phrasing to clarify meaning.
What is culture, and how does it shape our identity and sense of belonging especially when we move between more than one world?
Knowledge-Building:
Students continue tracing blood as both a biological reality and a changing symbol in Reha’s life.
Enduring Understanding:
Identity is shaped by biological, cultural, and emotional connections, and symbols help reveal how those layers come together.
Future Lessons:
Students will compare the later poem titled “The River” to the earlier poem with the same title and continue tracking how repeated titles and images evolve.
Unit Performance Task:
Today’s work prepares students to write literary analysis essays about how imagery or symbolism reveals an important connection.
| Lesson Flow | Purpose of Learning Experience |
|---|---|
Launch5 Minutes | Students will activate prior learning about blood as betrayal and support fellow students to notice how a repeated line can signal a change in symbolic meaning. |
Literacy Lab10 Minutes | Students will learn about how a repeated line and a single key word can shift meaning depending on speaker, context, and connotation. |
Learning in Action30 Minutes | Part A: Tracking the blood symbol (RL.7.4) Students will annotate a poem set to trace how blood as a symbol changes from fear to family connection to chosen offering. Part B: Why Savitri returns here (RL.7.5) Students will discuss why “Savitri, Part 4” appears at this exact moment and then connect that placement to Reha’s developing heroism. |
Material List
Red, White, and Whole by Rajani LaRocca, “No One”–”Watching” (pp. 175–189)
Unit 4 Lesson 30 Student Edition
Routines
Think-Pair-Share
Using Context Clues
Annotation Spot-Check
Group Accountability Share
Quick Write
Have students work with an elbow partner.
Display “Give and Take” on page 2 and direct students to read this line:
“Because you are here, I must stay.” (p. 2)
Say these Directions: In recent lessons, we tracked how blood could feel like a betrayer and how Reha was kept afloat by the people around her. Today, we are looking at a big turn: the symbol of blood changes again when Reha starts offering her own blood.
Prompt students to discuss the question with a partner:
Ask: Where have we heard this line before, and why might it matter that it returns here?
We heard this line at the opening in “Give and Take” when Amma is speaking, and now we hear it again in “Close Enough” when Reha is speaking. That matters because the same words now come from a different person, so the meaning shifts from a mother staying for her daughter to a daughter staying for her mother.
Guide students in using context clues to infer the meaning of the word nourish in “Close Enough.”
Say these Directions: Today, we are going to use context clues to figure out what one important word means. Context clues are the words and ideas around a tricky word that help us make a smart guess before we check a definition. As we study the word nourish, pay attention to what Reha wants her cells to do for Amma and how that helps us understand the symbol of blood in a new way.
Display the excerpt from “Close Enough” on page 180 and read it aloud:
If I’m close enough,
they will give my cells to her,
so they can grow in her bone marrow,
and become cells that nourish her,
protect her,
stop the bleeding when she is hurt.
Nourish appears in the lines above, where Reha imagines her cells helping Amma heal.
Say: When I get to the word nourish, I stop and read the words around it instead of skipping past it. Right after that word, the poem says the cells will “protect her” and “stop the bleeding when she is hurt,” so those are my strongest clues.
Say: Those clues tell me these cells are doing something helpful and life-giving for Amma’s body. That makes me think nourish means to give someone what they need to grow stronger or stay healthy. I also notice that the cells will grow in her bone marrow, which makes the word feel connected to healing from the inside. So even before I check a dictionary, I can infer that nourish helps show blood as a source of care and restoration, not just fear or pain.
Say these Directions: In your Personal Dictionary, write the word nourish. Under it, write a student-friendly definition based on the context clues in the poem. Then, list two clues from the lines that helped you infer the meaning.
Verify Meaning: Prompt students to use a dictionary, thesaurus, or other reference material to confirm the meaning of the word they inferred.
Prompt students to discuss the question with a partner, group or whole class:
Ask: Which context clue helped you most as you figured out the meaning of nourish?
The clue “protect her” helped me most because it showed that the cells would help Amma’s body stay stronger and safer.
Check for Understanding (RL.7.4, L.7.4a) | |
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In your Personal Dictionary, write one sentence explaining what nourish means in “Close Enough” and name one context clue that helped you infer it. |
Teacher Tip: |
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If needed, point students back to the phrases “protect her” and “stop the bleeding” and prompt: Which words show what the cells do for Amma’s body? |
Connection to Today's Learning:
Say: We will now track how this one word helps reveal a larger shift in the symbol of blood across several poems.
Students work in pairs with the poems “No One,” “But If,” “Hero,” “The Needle,” and “Close Enough.”
Say these Directions: In your journals, create a chart like the one below. Record the titles of the poems in the first column. As you reread these five poems, circle the word “blood” every time it appears. Each time you circle the word “blood,” use the second column of your chart to jot a quick note about what the word represents in that moment—fear, family, pain, identity, gift, or another idea you notice. Then, in the last column, add one short note explaining how LaRocca’s word choice strengthens that meaning.
Poem: | Blood Represents: | Word Choice Effect: |
|---|---|---|
Say: Each time I see blood, I stop and ask, What does it stand for here, in this exact moment? In an earlier poem like “No One,” I might label it fear if Reha experiences blood as something scary or overwhelming.
Ask: In a poem like “Hero” or “The Needle,” what does blood symbolize?
In those poems, blood is tied to family, pain, and what Amma needs.
Say: Repeat this same process for every poem.
Sample responses for the Journal chart
Poem | Blood Represents | Word Choice Effect |
|---|---|---|
“No One” | fear and confusion | The language makes blood feel threatening and hard for young Reha to understand. |
“Hero” | family connection and responsibility | The title pushes readers to rethink heroism as care for another person. |
“Close Enough” | chosen offering | The repeated line and careful wording make blood feel like an act of love. |
Prompt students to discuss the questions with a partner:
Ask: In “No One” and “But If,” what does blood seem to represent for Reha at this stage?
In these poems, blood still feels frightening and uncertain for Reha. It represents something that can hurt, change, or take people away, so her view of blood is tied to fear and worry.
Ask: How does the meaning of blood shift across “Hero,” “The Needle,” and “Close Enough”?
Across these poems, blood shifts from being something scary and painful to something connected to family and identity. By “Close Enough,” blood becomes something Reha is willing to give, which makes it feel less like a betrayer and more like an offering.
Ask: What does LaRocca’s word choice reveal about how the symbol has changed?
LaRocca’s word choice moves from language that feels tense and fearful to language that feels determined and loving. That shift shows blood is no longer just a sign of illness. It also becomes a sign of connection and sacrifice.
Ask: Does the symbol of blood change? Why is it important to track that?
My notes should show that the symbol is moving, not staying static. That movement is what reveals Reha’s growth.
Teacher Tip |
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Today’s poems include blood draws, medical treatment, and illness-related anxiety. Before reading, briefly remind students that if they feel unsettled by medical details, they may focus on the emotional meaning of the scene and quietly request a brief pause if needed. |
Pulse Check (RL.7.4) |
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Which statement best explains how the symbol of blood changes across this poem set?
|
Connection to Today's Learning:
Say: Now that you have mapped how the symbol changes, we are ready to ask why LaRocca places “Savitri, Part 4” at this exact turning point.
Place students in groups of three or four. Students reread “Savitri, Part 4” and connect it to “Close Enough,” “The Story I Want to Tell,” and “Watching.” Each group prepares one shared answer; any member may be called on to report.
Say these Directions: In your group, reread “Savitri, Part 4” and use the guiding questions to discuss why LaRocca places this myth at this point in the book—right after Reha begins offering blood and near poems that frame her as a hero. Work together to build one shared answer that uses text evidence from at least two poems, since anyone in the group may be called on to speak for everyone.
Say: When an author returns to a myth late in a novel, placement matters just as much as content. I ask myself, Why not earlier? Why now, beside these poems? What does this tell me about the characters or the development of the plot?
Ask: What does LaRocca want us to understand about Reha by placing “Savitri, Part 4” exactly here?
LaRocca wants us to connect Reha to Savitri at the moment when Reha starts acting out of fierce love. Putting the myth here shows that Reha is no longer only the person watching loss happen. She is becoming someone who responds with courage and devotion.
Ask: Based on “The Story I Want to Tell” and “Watching,” what kind of hero is Reha becoming?
Reha becomes a quiet, relational hero. She is not heroic because she is powerful in a dramatic way. She is heroic because she stays present, gives what she can, and keeps loving Amma during a painful time.
Provide students with a confidence continuum (i.e., 1–5). As needed, model how to demonstrate a level of confidence using the continuum.
Reflection (RL.7.5) |
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Use the Reflection routine to reflect on your ability to explain why “Savitri, Part 4” appears at this point in the poem set. |
Connection to Today's Learning:
Say: You are ready to synthesize the poem set and explain what kind of hero Reha has actually become.
Have students write a brief response using evidence from multiple poems to analyze Reha’s development as a hero.
Say these Directions: Respond to the question in 3-4 sentences. Use at least two specific details, each from a different poem in today’s set. Be sure to explain what those details show, not just name them.
Ask: In the poem “The Story I Want to Tell”(pp. 185–186), Reha imagines how she could be a hero. Based on the poems in this set, what kind of hero has she actually become?
Reha becomes a quiet hero whose bravery shows through love and action, not drama. In “Close Enough,” she offers her own blood, which shows that blood has changed from something frightening into something she can give for Amma. Then, with “Savitri, Part 4” and “Watching,” LaRocca frames Reha as someone who stays present and devoted during a painful time. These poems show that Reha’s heroism is steady, relational, and sacrificial.
Optional Sentence Starter:
Reha becomes a hero not by __________, but by __________.
Instruct students to read “Dr. Andrews,” “The River,” “Goodbye,” “Jealous,” “Total Eclipse of the Heart,” and “Comfortably Numb.”
Ask students to respond to the following question in their Journal:
How does this later “The River” poem compare to the previous poem with the same title?
Red, White, and Whole
Rajani LaRocca
