50 min
Student Lesson
Lesson 10: Braiding Sweetgrass, “Wisgaak Gokpenagen: A Black Ash Basket”
Content
Students will read and analyze the chapter “Wisgaak Gokpenagen: A Black Ash Basket” and discuss how Kimmerer’s description of the basket-making process further develops central ideas in her text.
Language
Students will paraphrase Kimmerer’s ideas and use those details to clearly explain, in discussion, how she connects the physical process of basket making to deeper spiritual and ethical meanings.
Foundational Skills
Students will use morpheme analysis to determine the meaning of the target vocabulary word vigorous.
What does it mean to live responsibly within natural systems?
Knowledge-Building:
Students explore ash trees and the relationships that Indigenous basket makers have with them as an example of how living systems model reciprocity and balance.
Enduring Understanding:
Students analyze the author’s central ideas, told and explained through the process of basket making, to explore the idea that reciprocity is not only an ecological principle but an ethical one.
Future Lessons:
Students will continue to discuss the idea of reciprocity in Lesson 11. Students will examine spoken arguments in Lesson 12.
Unit Performance Task:
Students examine more examples of the concept of reciprocity and gratitude, which they will use to fuel their research during the performance task.
| Lesson Flow | Purpose of Learning Experience |
|---|---|
Launch5 Minutes | Students will engage in a Retell & Paraphrase Partner Check, sharing annotations they made for homework and comparing each other’s paraphrases to their own understanding of the chapter. |
Literacy Lab10 Minutes | Students will use morphology to find the meaning of the target vocabulary word vigorous. |
Learning in Action30 Minutes | Part A: Partner Discussion: “Wisgaak Gokpenagen: A Black Ash Basket” (RI.8.3, L.8.5.a) Students will analyze the chapter by discussing text-dependent questions. Part B: Analyzing a Central Idea (RI.8.2, RI.8.3, RI.8.4) Students will analyze the central ideas that Kimmerer further develops in this chapter of the text. |
Material List
Braiding Sweetgrass for Young Adults by Robin Wall Kimmerer, adapted by Monique Gray Smith, illustrated by Nicole Neidhardt
Unit 3 Lesson 10 Student Edition
Flowchart graphic organizer
Routines
Retell & Paraphrase Partner Check
Introduce New Words Using Morphology
Turn-and-Talk
Collaborative Idea Board
Quick Write
Assign student partnerships, with each student assigned to be Partner A or Partner B. Have students take out their copies of Braiding Sweetgrass and their Homework Journals and turn to the annotations they made for homework after the previous lesson.
Lesson 9 Homework: Students were instructed to read the chapter “Wisgaak Gokpenagen: A Black Ash Basket” in Braiding Sweetgrass (pp. 119–131) and identify one moment when Kimmerer describes what she does during basket making and one moment when she describes what she’s thinking or feeling while making the basket.
Instruct students to work with partners to check the annotations they did for homework.
Say these Directions: Work with your partner to check the annotations you did for homework. Partner A will retell and paraphrase one of their annotations. Partner B will listen and then compare what they heard to their own understanding from the reading. Then Partner B will retell and paraphrase one of their annotations, and Partner A will compare it to their own understanding.
I remembered the moment when she talked about how hard she had to grip the splitter between her legs and how difficult it was. My partner remembered how she thought, “Order and stability emerge out of chaos,” when she weaved the three rows together (p. 126).
Say: Today, we’re going to analyze how Kimmerer uses the process of basket making to further develop central ideas about gratitude and reciprocity.
Target Word: vigorous
Say these Directions: We’re learning about the word vigorous today. It shows up in Braiding Sweetgrass to describe the type of trees used to make baskets. Let’s explore this word more deeply.
Introduce the Word: Present the word vigorous to students and pronounce it.
Ask: Have you seen this word before? Where?
Identify the Root: Underline the root vig in vigorous, and let students know that the root is also written as veg. Explain that veg comes from Latin and means “alive” or “active.”
Ask: Do you know any other words with this root? (vigor, vegetable)
Address Possible Misconception: The word vegetable comes from the same Latin root meaning “full of life.” Confusingly, sometimes words like vegetate or vegetable are used in English to describe someone who is extremely inactive, which is the opposite of the root word’s meaning.
Identify the Affix: Circle -ous in vigorous. Explain that -ous means “full of.”
Ask: What are some other words that use the suffix -ous to mean “full of”?
curious, nervous, famous
Determine Meaning:
Ask: Using what we know about the root and suffix vig and -ous, what do you think the word vigorous means?
full of life or activity
Build Word Relationships: Write vigor next to vigorous.
Ask: What is the relationship between vigor and vigorous?
Someone or something is vigorous if they are filled with vigor, which means they have a lot of life, activity, or energy.
Ask: Why does Kimmerer describe the ash tree as vigorous rather than just healthy or
strong? What does vigorous suggest about the tree that a simpler word would not?
Vigorous implies the tree is full of active, abundant life, not just alive, but thriving. This word choice personifies the tree as a being with energy and vitality, which makes harvesting it feel more significant. If she just said “healthy tree,” you wouldn’t feel the weight of what is being taken.
Say: Notice how Kimmerer’s word choice shapes how we see the tree. This is something we’ll pay attention to throughout today’s reading: Where does her language shift from describing a process to describing a relationship with a living being?
Check for Understanding |
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Add the word vigorous to your Personal Dictionary, underline the root, and circle the suffix. Then write the definition of the word and each focus morpheme. |
Connection to Today’s Learning
Say: Understanding vocabulary like vigorous will help you read today’s reading with fluency and precision. The author uses the word to describe plant life in a way that supports her themes of gratitude and reciprocity toward nature.
Transition students into pairs to analyze key sections of the Braiding Sweetgrass chapter “Wisgaak Gokpenagen: A Black Ash Basket.”
Instruct students to take out their copies of Braiding Sweetgrass and display the questions shown below. Explain to students that they will do a paired discussion with their partner by skimming the chapter and using their annotations to discuss the questions.
Say these Directions: Skim the Braiding Sweetgrass chapter “Wisgaak Gokpenagen: A Black Ash Basket” with your partner to discuss the answers to the questions below. Reread excerpts of the chapter as needed, discuss the questions, and be prepared to share your thoughts in a whole-class discussion.
What are the specific steps Kimmerer describes in harvesting and preparing the black ash for basket making?
She describes identifying a good, vigorous tree, asking the tree for “permission for harvest,” harvesting it, scaling away the bark, pounding the log, and cutting it apart using the “splitter” in order to prepare the “splints” (pp. 120–124).
How does Kimmerer shift from describing the physical process to reflecting on its spiritual meaning?
She describes how the teacher, John Pigeon, integrates the spiritual meaning of the basket making as he leads the physical process with his fellow basket makers. He talks about the tree as having had a life, similar to human existence. For example, he says, “A splint fallen on the ground is a whole year of that tree’s life and you’re about to step on it, bend it, grind it into the dirt?” (p. 125). Also, while laying out the first two strips of wood to form a cross, John Pigeon relates the cross to “the four directions” and the balance humans are trying to find. He says that is “what we build on” as humans, and “that’s why we start like that” with the basket making (p. 125).
Where does Kimmerer use personification to describe the trees or the basket-making materials? What does this personification suggest about how she views the relationship between the basket maker and the tree?
Kimmerer personifies the tree when she writes about John saying the tree “gave its life for this basket” (p. 126). This personification suggests that the tree is not just a material but almost humanlike and that its existence matters. It is a being that made a sacrifice. By describing the tree this way, Kimmerer argues that the basket maker has an ethical responsibility to honor that sacrifice by “mak[ing] something beautiful” (p. 126), as John suggests.
How does Kimmerer use “the lessons of the three rows” (p. 126) to further develop a central idea about reciprocity?
She suggests that the basket maker needs to understand and respect the resources and effort that go into making the basket, which is “ecological well-being,” as well as understand that they have to honor the “materials as if they were a gift” and then reciprocate that gift by using the basket for a “worthy” purpose. She is saying that “human needs” are only one row in the basket and that to make “a whole basket,” we need an equal relationship between living creatures, which is the basis of reciprocity (pp. 126–127).
Circulate through the room as students work, asking pairs to briefly share their answers.
Display a partially filled copy of the Flowchart graphic organizer that is large enough for the whole class to see. The parts of the flowchart that should be completed are what have been discussed previously, including the following sections of the chapter: the introduction, “Black Ash,” and “Basket-Making Class.” Students will now analyze the last two sections of the chapter, “Revitalization of Land and Basket Making” and “Heightened Awareness,” on pp. 128–131 to complete the last part of the flowchart.
Say these Directions: Now we’ll discuss how Kimmerer uses the process of basket making to further develop a central idea in the text. I’ve started our flowchart based on the first three sections of the chapter we previously analyzed. Let’s review those notes together and then focus on the last two sections of the chapter and the central ideas that Kimmerer develops.
Transition students into small groups.
Say these Directions: Work with your group to complete the last section of the flowchart by summarizing Kimmerer’s ideas in the chapter sections “Revitalization of Land and Basket Making” and “Heightened Awareness” (pp. 128–131).
After you have summarized the last two sections of the chapter, discuss the central ideas that Kimmerer is developing in this chapter and record them at the bottom of the flowchart.
Remind students that they should paraphrase Kimmerer’s ideas in their own words and be sure to summarize instead of writing every single detail.
Use the following questions to guide your discussion.
What central ideas does Kimmerer further develop in this chapter?
One central idea that she further develops is that there is reciprocity between the tree and basket maker. She points out that there is “a symbiosis between harvesters and harvested,” meaning there is a reciprocal relationship between the tree and the basket maker (p. 128). She also develops the central idea of reciprocity when she describes how the teacher emphasizes the importance of choosing “the right tree,” not taking more than you need, and understanding the value of what is given (p. 120). Her description shows that understanding where the wood for the baskets comes from, respecting what you take from the forest to make the baskets, and feeling gratitude for it inspires you to reciprocate by making a “beautiful” basket (p. 126). She also develops the central idea of gratitude when she talks about the objects in her home and she remembers John Pigeon saying, “Slow down—it’s thirty years of a tree’s life you’ve got in your hands there. Don’t you owe it a few minutes to think about what you’ll do with it?” (p. 131), demonstrating that we need to be grateful for what the earth provides us.
Recall the word vigorous from your work during the Literacy Lab. Where does Kimmerer use it, and how does that word choice help her further develop a central idea?
She uses the word to describe a healthy ash tree that is perfect for making baskets: “the crown full and vigorous, a healthy tree” (p. 120). The word choice further develops her central ideas about gratitude and reciprocity because it shows that you’re taking a life when you cut down a tree to make a basket, and that means you have to show it respect and gratitude and try to reciprocate the life it gave you by making something beautiful.
Pulse Check (RI.8.2, RI.8.4) |
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Which statement best explains how Kimmerer develops a central idea in this chapter?
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Check For Understanding
Provide students with a confidence continuum (i.e., 1–5). As needed, model how to demonstrate a level of confidence using the continuum.
Reflection |
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Reflect on your understanding of the central ideas that Kimmerer develops in this chapter using the Reflection routine.
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Instruct students to complete a Quick Write to synthesize their learning from today’s lesson.
Say these Directions: Summarize your thoughts on today’s discussion by completing the blanks in the sentence frames below. Use at least one piece of evidence from the chapter to support your answer.
Kimmerer shows that basket making is more than a craft by explaining ____ and arguing that ____. This matters because ____.
Kimmerer shows that basket making is more than a craft by explaining that ash trees used for baskets are healthy, vigorous trees that must be harvested responsibly and arguing that gratitude for the trees makes you want to reciprocate: “It gave its life for this basket, so you know your responsibility. Make something beautiful in return” (p. 126). This matters because it shows that both the baskets themselves and the process of making them represent values of gratitude, respect, and reciprocity.
Instruct students to complete the following homework in preparation for the next lesson.
Read the chapter “Mishkos Kenomagwen: The Teachings of Grass” in Braiding Sweetgrass (pp. 133–145) and take notes in your Journal on the following prompt:
How does Kimmerer combine scientific research and traditional Indigenous knowledge in this chapter?